By Stuart Brown
I’m not there is a film by Todd Hayes inspired by the life
and songs of Bob Dylan. It opens with a POV black and white grainy shot of Cate
Blanchet’s character Jude Quinn making his way through backstage to way to a
performance. The film cuts to Quinn then riding his motorcycle as the opening
title appears, and then to Quinn dead on a table with an autopsy about to take
place.
Marcus Carl Franklin plays Woody, a young travelling african
american boy who’s run away from his foster care home dreaming of becoming a musician.
The Arvin family befriend Woody, giving him food, shelter and encouragement. He
leaves the next morning, and upon his train journey three men attempt to rob
him and Woody falls from the moving train into a lake, after trying to protect
his guitar from the thieves. He awakes in hospital to find that the couple that
found him and saved him have waited for him to wake up. He performs for them at
their home and they tell him to stay as long as he needs to get better. After a
call from the foster care home, Woody carries on his travels. Upon a train he
reads from a newspaper “Famed Folk Stylist of yesteryear languishes grievously
in New Jersey Hospital.” He proceeds to visit the man and bring the stranger
flowers and plays for him.
Christian Bale plays Jack Rollins, a popular rebellious folk
singer wring songs about current problems in the world. His story is told
through interviews with friends and family of the character, with footage and
photographs playing of him performing his music. At an expensive dinner where
he is being awarded the Tom Paine Award he drunkenly makes a speech saying that
he saw something of himself in the late JFK’s murderer (which quotes what Dylan
once said receiving the same award.) We are told he issued an apology the next
day. We are later told he became a Christian at the gateway brotherhood church and became a minister,
referring himself as father John.
Heath ledger plays Robbie, an actor starring in a film about
Jack Rollins. He meets in a French girl on set and later in a coffee shop after
filming his latest scene and they discuss it, and what Robbie truly cares about
and what lies in the center of his world. They quickly fall in love, movie in
together and buy a motorcycle. They view Robbie’s new film, but a voice over
tells us they are disappointed with its outcome. Coming back to Robbie sometime
later, we see him on a plane, flash back to him at a party held at his house, when
his girlfriend sees him smoking outside talking to another girl. Then we cut
back to him on a plane, everything here seeming very misplaced in the editing process.
We come back to Jude Quinn playing a gig in New England (a rock
version on Maggies Farm) to a booing folk loving crowd who hate the performance,
(this is also something that Dylan actually did.) At a press conference following
the gig Quinn defends his music against arguments that his music is persuading
his ideals, an interview based and quoted from again an actual Dylan press conference.
A waiter then threatens Quinn with a knife for “stabbing truth in the eye.” He
is quickly knocked out by Quinn’s current lover, a very random and somewhat
pointless scene. When we come back to Quinn’s story a bit later on in the film
and we see Quinn meet poet Alan Ginsberg and has a conversation about what Alan
said to a reporter when asked if he thought Quinn sold out, he said, “only to
god.” While in the middle of an interview with a different reporter, Keenan Jones,
Quinn becomes very angry and uncomfortable when asked if he cares about the
lyrics in his songs. He then performs the song Mr. Jones as Keenan Jones acts
out those lyrics. Another seemingly pointless scene. While performing another
song, an audience member shouts out “Judas” to which Quinn replies “ I don’t believe
you” (Reacting what similarly happened to Dylan on stage with the same response)
and the crowd attempt to attack Quinn and his band who are forced to finish
their show. We are told quite randomly of Jack Rollins love for Billy the Kid,
in all probability just to introduce the next character.
Richard Genre Plays Billy the kid, who with after his dog
Henry runs off, chasses after on his horse. He looks off to the distance worriedly
on his horse on a hilltop and we cut back to Robbie come to greet a clearly
upset wife at his home. Billy the kid then continues to chase after his dog,
and asks villiagemen if they have seen his dog, he then discovers that ‘Pat
Garrett’ plans destruction for Riddle County, and this somehow could’ve spooked
his dog.
Back to Robbie, and his wife and baby, who argue over Robbie’s
sexist remarks. He falls out with his friend as they seem to have changed from
the men they once were throughout the years. Annnnnnddd back to Billy the Kid.
As the town prepare for Halloween we randomly cut away again, but I will stop
trying to write every time the film cuts, as quite honestly the unpredictable,
rushed and irritating cuts happen quicker momentarily than I can type.
Somewhere in those many strange cuts it was shown that in Jude
Quinn’s house Keenan Jones reveals Quinn’s real name as Aaron Jacob Edelstein,
something that happed to Dylan when his birth name was revealed to be Robert
Zimmerman. As Quinn later throws a party, his drug use clearly is getting worse,
where this pretentious self obsessed character throws up on his friends lap and
insults a former girlfriend. Quinn and Alan Gingsberg then shout abuse like “you
better get down from there you’ll hurt yourself!” and “play some of your early
stuff” at a sculpture of Jesus on a cross. The meaning of this, other than
their equal hatred for Christianity and reflection of being famous seem to come
to light, are only that the characters are obnoxious.
Robbie is seen looking through old photographs of his
family, his wife talks over why she has decided to leave him. They argue about
who would get custody of the kids when his wife says she isn’t going to try and
take them away from him, making the argument seem somewhat pointless. They
cuddle, get divorced and we the two continue with their separate lives.
Billy then argues in public against the plans to destroy his
town of Riddle County. And is then arrested despite the crowds protests. Billy
the kid is then put in a car (despite the setting of his story seemingly being
in the 1800’s until now) and put in jail.
We then come back to Jude Quinn who’s lying on the floor
with “stable vitals” where Gingsberg says he probably will never get back on
stage as he’s gotten into too many psyches. Another character states death is
too much a part of the American scene these days. Robbie sees his kids at Christmas
and takes them for a holiday. Billy the kid escapes jail and jumps on a train,
seeing his dog Henry for the last time, also quite randomly. We see (or hear)
Quinn crash his motorcycle (resulting in his death) and finally his in a car
making an earlier set interview, where he states “everyone knows I’m not a folk
singer” perhaps indicating that she was really more of an activist. Billy the
kid wakes up on the train and finds a guitar that is the same one Woody was
playing at the beginning of the film.
While trying to be original in narrative as these stories
are told in different parts randomly through the film (even more than I have
described), the actual result just makes the film hard to follow and unnecessarily
complex. A plot is hard to recognise throughout the film, is it is essentially
Dylan based characters living out Dylan based lives in a random order that
serves no purpose. An hour in and my nerve to turn the film off (something I
have only ever have done once) was growing ever more tempting. It seems, this juxtaposition
of many random tales will only be recognisable for die hard Dylan fans, and it
has amazed me how it gained such good reviews, though the acting is top notch,
the editing, direction and script are appalling.
I am actually a rather big fan of Dylan’s, hopping to see a
biopic of his life with different actors portraying the famous musician, this
film is noting what I expected to see, and has disappointed me hugely. The best
I could advise it is just to put it on as background sound as the occasional
Dylan song that pops up is pleasant to listen too, but you’re better off buying
a Dylan CD, I would personally recommend “The essential Bob Dylan” and not this
drizzle of a film. It would not help our research, and is one of the worst
films I have ever seen. Why the below picture says these actors portray Bob Dylan is beyond me, they play charcters inspired by Bob Dylan, and Richard Gere plays Billy the Kid. Its false advertising at its finest.
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